Tuesday, September 28, 2010
Sunday, September 26, 2010
Halau U'hane Lomilomi Lapa'au
This weekend I added to my O'hana by becoming a part of Halau U'hane Lomilomi Lapa'au with Kahuna Uncle Harry U'hane Jim and Auntie Sila Lehua Bray Jim.
It is a great honor to be accepted into the Halau of traditional Hawaiian teachers.
Aloha nui no, pomaika'i ne au. I am so grateful for all the blessings that surround me.
It is a great honor to be accepted into the Halau of traditional Hawaiian teachers.
Aloha nui no, pomaika'i ne au. I am so grateful for all the blessings that surround me.
Sunday, June 20, 2010
MANIFESTING WITH MOLDING CLAY
MANIFESTING WITH MOLDING CLAY INSTRUCTIONS
1) Write down your desires or wishes that you want to unfold in your life on a small piece of paper, maybe about four inches square.
2) Focus on those words for about a half an hour or so.
3) Roll that piece of paper into a ball.
4) Get some molding clay, or even Play-Doh, and create a ball about the size of a golf ball or a tennis ball, depending on what will fit into the size of your hand. You want to be able to place that ball of clay comfortably in your hands, so that you can squeeze it using just one hand, while having your other hand free to go about your daily business.
5) Put the ball of clay in your hands and focus on the words of that paper as you squeeze it. Do this for at least three hours, at the minimum, more if you would prefer.
6) Then forget about your desires and wishes that you wrote down on that paper and consciously release them to the universe, or the Divine, or to God, or to whatever you believe in or works best for you, with the confidence that IT WILL take care of manifesting those desires for you.
7) Then, after two weeks, your should see your desires manifest as you had written on that paper.
1) Write down your desires or wishes that you want to unfold in your life on a small piece of paper, maybe about four inches square.
2) Focus on those words for about a half an hour or so.
3) Roll that piece of paper into a ball.
4) Get some molding clay, or even Play-Doh, and create a ball about the size of a golf ball or a tennis ball, depending on what will fit into the size of your hand. You want to be able to place that ball of clay comfortably in your hands, so that you can squeeze it using just one hand, while having your other hand free to go about your daily business.
5) Put the ball of clay in your hands and focus on the words of that paper as you squeeze it. Do this for at least three hours, at the minimum, more if you would prefer.
6) Then forget about your desires and wishes that you wrote down on that paper and consciously release them to the universe, or the Divine, or to God, or to whatever you believe in or works best for you, with the confidence that IT WILL take care of manifesting those desires for you.
7) Then, after two weeks, your should see your desires manifest as you had written on that paper.
Science and the Scriptures
"The biggest secret of creation is hidden in the first sentence of Genesis.
In the original Hebrew version of the Bible, Genesis starts with the word "Be-resjiet" meaning ‘at first’ or ‘in principle’. It has been translated in modern versions of the Bible into ‘in the beginning’.
Everyone knows the starting phrase of Genesis however few know that the whole essence of creation was put into that first word....The sacred Hebrew alphabet was designed with a clear intention to convey the very essence of creation and to teach later generations what the "Be-resjiet",the principle of creation, really is.
The characters of the Hebrew alphabet are projections of a ‘special form’ on the faces of a tetrahedron seen from different angles!
Stan Tenen called the ‘special form’ in the tetrahedron ‘the flame letter in the tent’.
***( I have removed the graphic of the flame letter in the tent, by Dan Winter due to a conflict that has come to my attention between Winter and Tenen's copywrited work. I am grateful to Levanah Tenen for bringing this to my attention and will research the information provided by Levanah Tenen who is the wife and working partner of Stan Tenen. Please see more about the legal action involved at www.danwinter.com)***
Ms. Tenen says "that the Federal Court acknowledged the truth of this matter: that Mr. Winter had plagiarized our work, distorting and publishing it prematurely against our express wishes."
Ms. Tenen shared this information from MIT-trained, award-winning industrial designer James Fournier:
"Regardless of whether or not Mr. Winter started his projection process with a golden mean function, he has altered the true projection of a golden mean form so that his depictions cross the equatorial plane at a near-90-degree angle. He has also arranged for the "flame-vortex" to be exactly one and one half turns. This occurs only on Mr. Tenen's sculpture; it is not technically determined. For all these reasons I conclude therefore that Mr. Winter chose parameters for his computer modeling program, not to match the golden mean, but specifically and primarily so that the result would duplicate Mr. Tenen's copyright sculpture."
...The authors of Genesis quite deliberately wanted to convey this knowledge to future generations. All that was required was that we needed to evolve to a level of scientific understanding and sooner or later the significance of the scripture would be revealed.
In a letter to the LDS community, Stan Tenen explains:
"The letter-text led to a particular geometry. I first took this geometry to represent a model light or flame. Later, I realized that this was not functional, even though it generated shapes that matched all the Hebrew letters of a particular alphabet.Later, during an exploration of the Jewish ritual of tefillin, I realized that what I had taken to be a flame was actually a model hand, and given the known properties of our hands, everything else then fell in place."
...When the actual Hebrew character is pronounced out loud, it will take on the shape of the character. Both Stan Tenen and Dr. Hans Jenny (Cymatics) independently indicated this fact. Hans Jenny recorded the vocal expression of the letter on a plate of sand. The vibrations in the voice pronouncing the Hebrew letter caused the sand grains to take on the actual shape of the Hebrew character!"
Please see more information about Tenen's work at:
The 3,10 Torus Knot, Ring, Sphere, Tetrahelix and Hand.
GROWTH AND UNFURLMENT OF THE 3,10 KNOT
Displaying 3 pairs (RGB) of First Hand(tm) Models
THE 3,10 KNOT Growing, Blossoming, and Fading
Continuous Creation: A Fruit Tree Yielding Fruit whose Seed is In Itself-Genesis 1.11
Displaying Six First Hand(tm) Models in Rainbow Order
Parts of this are edited from Science and the Scriptures
and also see
Pineal Gland - DMT - DNA - Tetrahedron - 2012
In the original Hebrew version of the Bible, Genesis starts with the word "Be-resjiet" meaning ‘at first’ or ‘in principle’. It has been translated in modern versions of the Bible into ‘in the beginning’.
Everyone knows the starting phrase of Genesis however few know that the whole essence of creation was put into that first word....The sacred Hebrew alphabet was designed with a clear intention to convey the very essence of creation and to teach later generations what the "Be-resjiet",the principle of creation, really is.
The characters of the Hebrew alphabet are projections of a ‘special form’ on the faces of a tetrahedron seen from different angles!
Stan Tenen called the ‘special form’ in the tetrahedron ‘the flame letter in the tent’.
***( I have removed the graphic of the flame letter in the tent, by Dan Winter due to a conflict that has come to my attention between Winter and Tenen's copywrited work. I am grateful to Levanah Tenen for bringing this to my attention and will research the information provided by Levanah Tenen who is the wife and working partner of Stan Tenen. Please see more about the legal action involved at www.danwinter.com)***
Ms. Tenen says "that the Federal Court acknowledged the truth of this matter: that Mr. Winter had plagiarized our work, distorting and publishing it prematurely against our express wishes."
Ms. Tenen shared this information from MIT-trained, award-winning industrial designer James Fournier:
"Regardless of whether or not Mr. Winter started his projection process with a golden mean function, he has altered the true projection of a golden mean form so that his depictions cross the equatorial plane at a near-90-degree angle. He has also arranged for the "flame-vortex" to be exactly one and one half turns. This occurs only on Mr. Tenen's sculpture; it is not technically determined. For all these reasons I conclude therefore that Mr. Winter chose parameters for his computer modeling program, not to match the golden mean, but specifically and primarily so that the result would duplicate Mr. Tenen's copyright sculpture."
...The authors of Genesis quite deliberately wanted to convey this knowledge to future generations. All that was required was that we needed to evolve to a level of scientific understanding and sooner or later the significance of the scripture would be revealed.
In a letter to the LDS community, Stan Tenen explains:
"The letter-text led to a particular geometry. I first took this geometry to represent a model light or flame. Later, I realized that this was not functional, even though it generated shapes that matched all the Hebrew letters of a particular alphabet.Later, during an exploration of the Jewish ritual of tefillin, I realized that what I had taken to be a flame was actually a model hand, and given the known properties of our hands, everything else then fell in place."
...When the actual Hebrew character is pronounced out loud, it will take on the shape of the character. Both Stan Tenen and Dr. Hans Jenny (Cymatics) independently indicated this fact. Hans Jenny recorded the vocal expression of the letter on a plate of sand. The vibrations in the voice pronouncing the Hebrew letter caused the sand grains to take on the actual shape of the Hebrew character!"
Please see more information about Tenen's work at:
The 3,10 Torus Knot, Ring, Sphere, Tetrahelix and Hand.
GROWTH AND UNFURLMENT OF THE 3,10 KNOT
Displaying 3 pairs (RGB) of First Hand(tm) Models
THE 3,10 KNOT Growing, Blossoming, and Fading
Continuous Creation: A Fruit Tree Yielding Fruit whose Seed is In Itself-Genesis 1.11
Displaying Six First Hand(tm) Models in Rainbow Order
Parts of this are edited from Science and the Scriptures
and also see
Pineal Gland - DMT - DNA - Tetrahedron - 2012
The Superstring theory from physics, the Platonic solids from geometry, the Octave in music.
"The Superstring theory postulates that all matter in the universe is connected by an infinite number of miniscule, vibrating "strings" of a yet undiscovered energy that pulsate back and forth in spirals from one single point in space.
All these strings vibrate out the exact same distance (forming a perfect sphere), and then vibrate back to the point of origin. There are so many strings that some are bound to cross over at certain "node" points, and all strings that form nodes do so in the exact same place relative to the length of the string. At these node points, the energy would be stronger, because they contain the energy of two strings working together rather than just one. Farther out on the string, other node points also form where the strings intersect, all in the same relative position on the length of the string.
If you connected all these nodes, you would find yourself drawing 3D geometrical objects, but not just any 3D geometrical objects. All lines have to be the same length, with sides the same shape, and each angle the same - all fitting perfectly into a sphere. There are only five known geometrical patterns that fit this criteria called the Platonic or Sacred Solids, which include the Octahedron, Tetrahedron, Cube, Dodecahedron, and Icosahedron.
We know that everything in our existence emits sound according to its own vibrational frequency and we theorize that both sound and light have a so far unknown common ancestor or archetype.
Stars not only shine with light, but they are known to sing......indeed, the very soul of the universe is musical! Trees have also been noted to sing - there are many reports of audible hums coming from certain kinds of trees. If you disturb an object in any way, you will start a vibrational process in that object, and it will start vibrating at it's own unique natural frequency. The natural frequency of any object is known as its resonance. If this frequency or resonance is within the range of human hearing, you will hear a sound being emitted, such as when guitar string is plucked. If the frequency is out of range, you will be oblivious to the sound, even though there is indeed sound being produced.
We have the 5 platonic solids, which as we have seen are actually vibrational crystals. Since everything in the universe is vibrating, there must be some relation between these solids and the musical scale. We can add a sphere to each side of the platonic solids to make 7, but where do we get the 8th shape to correspond to the octave? Basically all we have to do is use the Icosahedron twice. It is the logical choice because all the other shapes can be derived from it. It is simply vibrating at a higher frequency on the right side. So now we start seeing some order in all this, as we have matched up two of the important vibrational qualities of our existence - sound (resonance) and form (geometry).
Now, light vibrates too - and when it does it produces the different colors of the spectrum, as we can easily see by looking at a rainbow. There are seven basic colors in the rainbow - red, orange, yellow, green, blue, indigo, and violet. Matching these with the octave is easy - just add red at a higher vibrational rate to the end of the color sequence. Therefore, if singing the octave (do, re, mi, fa, so, la, ti, do), you could match the colors in the rainbow - C=do=red, D=re=orange, E=mi=yellow, F=fa=green, G=so=blue, A=la=indigo, B=ti=violet, C=do=red.
Therefore, in our 3D universe, we are singing an E tone (or faster harmonics of E), and our basic structure is a yellow (or harmonic variation of yellow) octahedra. This is our reality in its most basic vibrational form."
The Superstring theory from physics, the Platonic solids from geometry, the Octave in music.
All these strings vibrate out the exact same distance (forming a perfect sphere), and then vibrate back to the point of origin. There are so many strings that some are bound to cross over at certain "node" points, and all strings that form nodes do so in the exact same place relative to the length of the string. At these node points, the energy would be stronger, because they contain the energy of two strings working together rather than just one. Farther out on the string, other node points also form where the strings intersect, all in the same relative position on the length of the string.
If you connected all these nodes, you would find yourself drawing 3D geometrical objects, but not just any 3D geometrical objects. All lines have to be the same length, with sides the same shape, and each angle the same - all fitting perfectly into a sphere. There are only five known geometrical patterns that fit this criteria called the Platonic or Sacred Solids, which include the Octahedron, Tetrahedron, Cube, Dodecahedron, and Icosahedron.
We know that everything in our existence emits sound according to its own vibrational frequency and we theorize that both sound and light have a so far unknown common ancestor or archetype.
Stars not only shine with light, but they are known to sing......indeed, the very soul of the universe is musical! Trees have also been noted to sing - there are many reports of audible hums coming from certain kinds of trees. If you disturb an object in any way, you will start a vibrational process in that object, and it will start vibrating at it's own unique natural frequency. The natural frequency of any object is known as its resonance. If this frequency or resonance is within the range of human hearing, you will hear a sound being emitted, such as when guitar string is plucked. If the frequency is out of range, you will be oblivious to the sound, even though there is indeed sound being produced.
We have the 5 platonic solids, which as we have seen are actually vibrational crystals. Since everything in the universe is vibrating, there must be some relation between these solids and the musical scale. We can add a sphere to each side of the platonic solids to make 7, but where do we get the 8th shape to correspond to the octave? Basically all we have to do is use the Icosahedron twice. It is the logical choice because all the other shapes can be derived from it. It is simply vibrating at a higher frequency on the right side. So now we start seeing some order in all this, as we have matched up two of the important vibrational qualities of our existence - sound (resonance) and form (geometry).
Now, light vibrates too - and when it does it produces the different colors of the spectrum, as we can easily see by looking at a rainbow. There are seven basic colors in the rainbow - red, orange, yellow, green, blue, indigo, and violet. Matching these with the octave is easy - just add red at a higher vibrational rate to the end of the color sequence. Therefore, if singing the octave (do, re, mi, fa, so, la, ti, do), you could match the colors in the rainbow - C=do=red, D=re=orange, E=mi=yellow, F=fa=green, G=so=blue, A=la=indigo, B=ti=violet, C=do=red.
Therefore, in our 3D universe, we are singing an E tone (or faster harmonics of E), and our basic structure is a yellow (or harmonic variation of yellow) octahedra. This is our reality in its most basic vibrational form."
The Superstring theory from physics, the Platonic solids from geometry, the Octave in music.
Do Re Mi
"When you know the notes to sing
You can sing most anything"
"The beginning base value of music understanding.
Using the syllables ut, re, mi, fa, sol, and la as names for the six tones, C to A, an Italian monk named Guido d'Arezzo (990-1050) created the system of Solmization, a system of using syllables, especially sol-fa like syllables, to represent the tones of the scale (known as the Guido System).
Each hexachord could start on G, C or F. Modern musicians think in terms of octaves. The concept of hexachords was fundamental to music theory throughout the Middle Ages and Renaissance.
Hexachord(from Gk. hex, ‘six’, chordē, ‘string’).
A scale segment consisting of six adjacent notes with the interval pattern tone–tone–semitone–tone–tone:
the ‘natural’ hexachord (hexachordum naturale)
C–D–E–F–G–A,
the ‘soft’ hexachord (hexachordum molle)
F–G–A–B♭–C–D,
and the ‘hard’ hexachord (hexachordum durum)
G–A–B–C–D–E.
Later in history 'Ut' was replaced by the more easily singable 'Do,' and another syllable, si or ti, was added at the end, giving the scale of seven syllables called do-re-mi-fa-sol-la-ti, which forms the present basic system of singing names for the tones of the scale.
The syllable sol was later shortened to 'So,' making all of the syllables uniform in spelling and all ending with a vowel.
Initially written by Paolo Diacono as a hymn to Saint John the Baptist (ca 720 - 799), the Latin words "Ut queant laxis, Resonare fibris, Mira gestorum, Famuli tuorum, Solve polluti, Labii reatum,"
1. UT - Queant Laxis (later changed to "DO")
2. RE - Sonare Fibris
3. MI - Ra Gestorum
4. FA - Muli Tuorum
5. SOL - Ve Polluti
6. LA - 0 Bii reatum
gamut: A complete range or the entire series of recognized notes.
\Gam"ut\, n. [F. gamme + ut the name of a musical note.
Gamma, the Greek letter Γ, used to represent the first lowest tone of (G) in the Medieval Scale
gamma gam·ma (gām'ə) n.
Symbol γ The third letter of the Greek alphabet.
The third item in a series or system of classification.
In the modern scale, "C" is the third letter of the alphabet, but the first note of the middle scale.
ut:
noun:
1: the local time at the 0 meridian passing through Greenwich, England; it is the same everywhere
2: the syllable naming the first (tonic) note of any major scale in solmization [syn: do, doh]
See more info.
The Ancient Solfeggio Frequencies – “The Perfect Circle of Sound”
"The Solfeggio frequencies contain the six pure tonal notes that were once used to make up the ancient musical scale. Each of the six Solfeggio frequencies correspond to, not only a note on the tonal scale, but to a cycle per second hz frequency number, and to a specific color, and, ultimately, to a particular chakra in the body.
For instance, middle C is related to the 528 hz frequency tone, which is associated to the color green, which, in turn, is related to the heart chakra. It is the third note on the scale and relates to the note "MI" on the scale and derives from the phrase "MI-ra gestorum" in Latin meaning "miracle."
"528 cycles per second is literally the core creative frequency of nature. It is love. The 528 hz frequency is known as, the "528 Miracle," because it has the remarkable capacity to heal and repair DNA within the body and is the exact frequency that has been used by genetic biochemists. Green, of course, is the primary color of our Mother Earth, because our planet vibrates to the frequency of love or of the heart.
These original Solfeggio frequencies, still have the capacity to transform your life in miraculous ways. Their origins date back to ancient times when they were sung in the Gregorian chants during religious ceremonies in churches of that time. But mysteriously, around 1050 AD, they mysteriously disappeared, presumably lost forever.
These chants contained special tones or frequencies which, when sung in harmony, and in Latin, were believed to impart tremendous spiritual blessings during religious masses. Apparently, the combination of these sacred tones and the Latin intonation, had the power to penetrate deep into the recesses of the subconscious mind and promote great healing and transformation."
UT – 396 Hz – Liberating Guilt and Fear
RE – 417 Hz – Undoing Situations and Facilitating Change
MI – 528 Hz – Transformation and Miracles (DNA Repair)
FA – 639 Hz – Connecting/Relationships
SOL – 741 Hz – Expression/Solutions
LA – 852 Hz – Awakening Intuition
The Ancient Solfeggio Frequencies – “The Perfect Circle of Sound”
You can sing most anything"
"The beginning base value of music understanding.
Using the syllables ut, re, mi, fa, sol, and la as names for the six tones, C to A, an Italian monk named Guido d'Arezzo (990-1050) created the system of Solmization, a system of using syllables, especially sol-fa like syllables, to represent the tones of the scale (known as the Guido System).
Each hexachord could start on G, C or F. Modern musicians think in terms of octaves. The concept of hexachords was fundamental to music theory throughout the Middle Ages and Renaissance.
Hexachord(from Gk. hex, ‘six’, chordē, ‘string’).
A scale segment consisting of six adjacent notes with the interval pattern tone–tone–semitone–tone–tone:
the ‘natural’ hexachord (hexachordum naturale)
C–D–E–F–G–A,
the ‘soft’ hexachord (hexachordum molle)
F–G–A–B♭–C–D,
and the ‘hard’ hexachord (hexachordum durum)
G–A–B–C–D–E.
Later in history 'Ut' was replaced by the more easily singable 'Do,' and another syllable, si or ti, was added at the end, giving the scale of seven syllables called do-re-mi-fa-sol-la-ti, which forms the present basic system of singing names for the tones of the scale.
The syllable sol was later shortened to 'So,' making all of the syllables uniform in spelling and all ending with a vowel.
Initially written by Paolo Diacono as a hymn to Saint John the Baptist (ca 720 - 799), the Latin words "Ut queant laxis, Resonare fibris, Mira gestorum, Famuli tuorum, Solve polluti, Labii reatum,"
1. UT - Queant Laxis (later changed to "DO")
2. RE - Sonare Fibris
3. MI - Ra Gestorum
4. FA - Muli Tuorum
5. SOL - Ve Polluti
6. LA - 0 Bii reatum
gamut: A complete range or the entire series of recognized notes.
\Gam"ut\, n. [F. gamme + ut the name of a musical note.
Gamma, the Greek letter Γ, used to represent the first lowest tone of (G) in the Medieval Scale
gamma gam·ma (gām'ə) n.
Symbol γ The third letter of the Greek alphabet.
The third item in a series or system of classification.
In the modern scale, "C" is the third letter of the alphabet, but the first note of the middle scale.
ut:
noun:
1: the local time at the 0 meridian passing through Greenwich, England; it is the same everywhere
2: the syllable naming the first (tonic) note of any major scale in solmization [syn: do, doh]
See more info.
The Ancient Solfeggio Frequencies – “The Perfect Circle of Sound”
"The Solfeggio frequencies contain the six pure tonal notes that were once used to make up the ancient musical scale. Each of the six Solfeggio frequencies correspond to, not only a note on the tonal scale, but to a cycle per second hz frequency number, and to a specific color, and, ultimately, to a particular chakra in the body.
For instance, middle C is related to the 528 hz frequency tone, which is associated to the color green, which, in turn, is related to the heart chakra. It is the third note on the scale and relates to the note "MI" on the scale and derives from the phrase "MI-ra gestorum" in Latin meaning "miracle."
"528 cycles per second is literally the core creative frequency of nature. It is love. The 528 hz frequency is known as, the "528 Miracle," because it has the remarkable capacity to heal and repair DNA within the body and is the exact frequency that has been used by genetic biochemists. Green, of course, is the primary color of our Mother Earth, because our planet vibrates to the frequency of love or of the heart.
These original Solfeggio frequencies, still have the capacity to transform your life in miraculous ways. Their origins date back to ancient times when they were sung in the Gregorian chants during religious ceremonies in churches of that time. But mysteriously, around 1050 AD, they mysteriously disappeared, presumably lost forever.
These chants contained special tones or frequencies which, when sung in harmony, and in Latin, were believed to impart tremendous spiritual blessings during religious masses. Apparently, the combination of these sacred tones and the Latin intonation, had the power to penetrate deep into the recesses of the subconscious mind and promote great healing and transformation."
UT – 396 Hz – Liberating Guilt and Fear
RE – 417 Hz – Undoing Situations and Facilitating Change
MI – 528 Hz – Transformation and Miracles (DNA Repair)
FA – 639 Hz – Connecting/Relationships
SOL – 741 Hz – Expression/Solutions
LA – 852 Hz – Awakening Intuition
The Ancient Solfeggio Frequencies – “The Perfect Circle of Sound”
Thursday, June 17, 2010
Magic Square
The magic derives from the fact that numbers arranged in a square of equal sides all add to the same total, coming and going, up and down, and even on the diagonal.
6 ..... 1 ..... 8
7 ..... 5 ..... 3
2 ..... 9 ..... 4
The total always adds to 15 (row, column or diagonal).
The total of any three rows or columns is 45.
In the Sun Magic Square: the magic constant is 111, three ones.
The sum of all the numbers of the square is 666.
The Library of Halexandria
6 ..... 1 ..... 8
7 ..... 5 ..... 3
2 ..... 9 ..... 4
The total always adds to 15 (row, column or diagonal).
The total of any three rows or columns is 45.
In the Sun Magic Square: the magic constant is 111, three ones.
The sum of all the numbers of the square is 666.
The Library of Halexandria
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